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More than Just an Object: Stories of Family Heirlooms and Generational Love

May 12, 2025
/
Lifestyle
Interviews
Annie Lyall Slaughter, Chelsea Gabbard, and Natalie Breton

When someone we love passes, it’s often the small, ordinary details that bubble to the surface of the mind first—a certain turn of phrase, the way they stirred their tea, the rhythm of their footsteps. While their presence lingers in us, it’s the objects they leave behind that offer something tangible to hold onto, tokens of a life that shaped ours, asserting that they were here. Heirlooms are not just objects, they’re invaluable treasures that hold the spirit and vitality of those we’ve loved and lost.

At Bond & Grace, we’re drawn to the stories behind the stories—the invaluable, often oral histories that surface as cherished objects are passed from one hand to the next. As we reflect on legacy—who we come from and what we carry forward—we asked members of our community to share the heirlooms that matter most to them. The results are intimate, tender, and nostalgia-ridden: a ruby ring that witnessed a granddaughter’s coming of age, a rose bush that blooms with love across generations, and a transitory gift that carries the humor and humility of a grandfather’s final days. 

So grab your tissues and call your loved ones. And maybe ask about that old ring, that recipe book, that faded photograph. It might just be yours one day.

What She Gave Me Was More Than Gold, by Chelsea Gabbard

When it came to jewelry, my grandmother Maria Matracia was accustomed to getting whatever she wanted: 24-carat gold, polished to a mirror shine, gemstones in every color of the rainbow, watches with diamond bands so dainty and thin you couldn’t help but hold your breath when you helped her with the clasp. Anything and everything. She had so many rings that each of her granddaughters was promised one as a gift for their twenty-first birthday. My poor grandfather could barely keep up.

In the photograph below, past the evening cigarettes and the bright red manicure, you can see the ruby ring that I begged and pleaded for from age six until the day she handed it over to me, glittering in its velvet box, fifteen years later—a week before she died.

Grief is incredibly strange. Twenty-one feels like a lifetime ago, but losing my grandmother feels like it happened just yesterday. I find that the grander details of her life have made their way to the back of my mind, saving space for me to miss the smaller things. Making meatballs together while her Great American Songbook records played in the background, Sarah Vaughan’s mellow timbre echoing down the hall and into the kitchen. Daily calls about nothing in particular on my drive from the local university to my terrible part-time job. Sitting at her kitchen table for hours, talking about love and life and what it meant to be a woman full of feeling, raised by a woman full of feeling, raised by a woman full of feeling. I told my grandmother everything, and the things I didn’t, she knew anyway.

All the while, almost imperceptibly, that ruby ring was a character in our story, perched atop a coffee mug or cradled close to the phone receiver, a willing participant in the trading of our secrets.

My grandmother’s ring is one of my most prized possessions, but it’s nothing in comparison to my memory of her. And what are memories if not the richest heirlooms of all?

Pictured left: Chelsea’s grandmother, Maria Matracia, wearing her ruby ring with her husband. Pictured right: Chelsea wearing her grandmother’s ruby ring—gifted to her a week before her grandmother died.

My Grandmother’s Rose Bush, by Natalie Breton

My grandmother loved roses. She was raised on a farm and valued simple pleasures. She never had much, but she was full of joy and gratitude. She was rich in family, in the hard work on the farm, and in the animals she cared for. In the little spare time she had, she tended to her roses. They were wild, full of life and color, just like her. When she passed, her rose bushes were carefully divided among her children and grandchildren. Most of us still have a rose bush from my grandmother’s garden. They bloom every year, becoming a seasonal heirloom, rich not in material value, but in love and memory. 

Pictured center: Natalie’s grandmother and her sisters (second from the left). With her infectious smile, this special photo serves as a reminder to Natalie that her grandmother was once a young woman full of hopes and dreams. Pictured right: Natalie’s grandparents, dressed in their Sunday best, in front of the dirt road that led to their country home.

The Last Cast, by Annie Lyall Slaughter

Only five months after my grandfather’s passing, I’m realizing that the gifts he gave me were so profound that I may not be able to grasp their impact for years to come. Among them, the importance of humor, joy, presence, laughter, child-like creativity, patience, and…. placing a whoopee cushion under the dining chair of your most serious dinner guest. 

When asked what mattered most in life, he’d answer without hesitation, “You’ve got to have humor and humility,” always in that thick Southern, Lynchburg, Virginia drawl. He was wise, but never self-serious—a man who loved fishing in the open sea, pondering life on the deck of his beach house (“happy as a boy,” even in his wheelchair-bound days), sketching whimsical line drawings, performing magic tricks to kids young and old, and soaking up life’s quiet, peaceful beauty.

Two weeks before Christmas last year, he fell sick, during a time when I couldn’t return home to Virginia. I had spent four months prepping for a big ceramics show in New York and knew that he wouldn’t have wanted me to miss it. The show was a big success, but he was on my mind the entire time—would I make it home in time to see him? Would I be able to live with myself if I didn’t?

 Hoping he would hang on until Christmas, at the fair where I was selling my wares, I stumbled upon a wooden fishing lure upcycled into a key chain, repurposed with some fresh paint. It had my grandfather’s name written all over it. I purchased it in an instant, tucking it in my pocket and praying that it would make it to my grandfather in time. 

I made it home to see him, but it was too close to the end to give him anything material. Those final three days were filled with storytelling over his bed, handholding, guitar playing, tears, prayers, laughter, and transition. Never before have I experienced anything like them; so much beauty, so much sadness, so much gratitude and fear and joy all wrapped up into a confusing emotional bundle, a complicated, sacred knot. 

I nicely wrapped the upcycled fishing lure and gifted it to my grandmother on Christmas day, only 48 hours after my grandfather left this world. Heirlooms usually pass the other direction, but in that old lure—humble, sturdy, trusting—I saw him. And I know he would’ve seen himself in it too.

Today, it lives on as the keychain to his fishing closet at his beach house. A key to his fishing poles, it’s also a key to his future, one filled with open seas, endless fish, and strong limbs, as he’s able to fully embrace the boyhood his body denied him in his final years. A boyhood that he seemed to be inching closer and closer to in the months before his passing. Just last summer at the beach, when I asked him how he was doing, he spun the wheels of his wheelchair, picked up his legs, and soared across the room: “Weeee-ooh-weeee, I’m just like a boo-yyy!” 

With that big grin, sparkling g eyes, and solid heart, he’s been born back into boyhood, forever now. Keep laughing, keep soaring, Da.

Pictured left: an upcycled fishing lure Annie Lyall bought for her grandfather right before he died. A transitory heirloom, it serves as the key to his fishing closet and is symbolic of his next chapter.
Pictured right: Annie Lyall’s grandfather, laughing at sea in the Bahamas.

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